Post-Impressionism (also spelled Postimpressionism) is the term coined by the British artist and art critic Roger Fry in 1910 to describe the development of French art since Manet.[1] Fry used the term when he organized the 1910 exhibition Manet and the Post-Impressionists. Post-Impressionists extended Impressionism while rejecting its limitations: they continued using vivid colours, often thick application of paint, and real-life subject matter, but they were more inclined to emphasize geometric forms, to distort form for expressive effect, and to use unnatural or arbitrary colour. Source:wikipedia